Articles

  1. How to record acoustic guitar with a warm vintage toneA warm vintage tone on acoustic guitar depends less on age than on balance. A resonant instrument, controlled room reflections, a microphone position that…
  2. Crossover Frequency for Studio MonitorsA crossover frequency is the point, expressed in hertz, where a monitor system divides its signal between drivers. A woofer handles the lower band, while a…
  3. How to mix a song with too much reverb already recordedReverb can make a mix feel cinematic, yet an over-reverbed track often turns muddy fast. When ambience was captured with the performance or printed into…
  4. A small vocal booth at home for better voice recordingsThe most useful tips for setting up a small vocal booth in your home start with the room rather than the microphone. A modest space can capture consistent…
  5. How to record a children's audiobook with character voicesGreat character voices can turn a picture book into a world a child can see, hear and trust. The work combines voice acting, careful script preparation,…
  6. Best Microphones for Recording a Loud Guitar AmplifierThe best microphones for recording a loud guitar amplifier are not chosen by price, badge or celebrity endorsement alone. What matters is how the microphone…
  7. How to use a saturator to add warmth to a digital recordingDigital recording is remarkably clean, precise and quiet. That accuracy is useful, though a perfectly transparent signal can sometimes feel thin, sterile or…
  8. Recording classical guitar fingerpicking for a polished soundThe distinctive character of a fingerpicked classical guitar comes from tiny contrasts in attack, sustain and volume. A polished recording preserves those…
  9. The mastering engineer behind a finished recordingA mix is a creative performance captured across a set of tracks. Mastering is the final craft pass that turns that performance into a durable release: it…
  10. How to master a collection of songs for an album releaseAn album master should make a group of songs feel like one deliberate record rather than a pile of separately polished tracks. It balances volume, frequency…
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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