Articles

  1. How to edit podcast episodes for smoother, shorter pausesLong pauses can make a podcast feel hesitant, slow, or accidentally unfinished, especially when they occur between thoughts rather than at meaningful moments.…
  2. Recording a derbake or frame drum for world musicA frame drum can look simple, but its voice changes with every stroke. The rim, skin tension, shell depth, hand position and playing tradition all shape…
  3. How to make a podcast intro and outro sound professionalThe opening and closing of a podcast do more than decorate an episode. They establish a sonic signature, tell listeners what kind of conversation they are…
  4. Ribbon And Dynamic Microphones For Clearer Australian RecordingsChoosing between a ribbon and a dynamic microphone is less about finding a universal winner and more about matching the microphone to the source, room and…
  5. How to Record a Singer Who Moves Around a Lot While PerformingRecording a singer who moves around a lot while performing should not mean chasing the voice with every step. The goal is to keep tone, level and timing…
  6. Best practices for recording a brass quintetA brass quintet is compact, but its recording challenge is substantial: two trumpets, French horn, trombone and euphonium or tuba must sound like one ensemble…
  7. How to Use Delay to Create Depth in a MixA delay effect repeats a sound after a chosen interval, yet its usefulness goes far beyond obvious echoes. When repeats sit quietly behind the original, they…
  8. Mixing a dense arrangement without losing clarityDense arrangements often feel exciting on paper, yet a completed mix can turn into an indistinct wall of sound. When guitars, keys, drums, bass and vocals all…
  9. How to record a beatboxer with a condenser microphoneBeatboxing turns the mouth into a complete percussion instrument, combining kick-drum impressions, snares, clicks, hums, vocal tones and melodic phrases. A…
  10. Clean Power for Reliable Studio RecordingA recording studio can have excellent acoustics, accurate monitors and carefully positioned microphones, yet still capture unwanted hum, clicks or digital…
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
🎤
Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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