Articles

  1. Consistent Audiobook Levels From Page To PageA professional audiobook should feel steady from the opening sentence to the final chapter. Listeners should not need to adjust the volume when the narrator…
  2. How to Record a Full Band Live With Tape-Style DAW WorkflowRecording a full band live inside a digital audio workstation can produce the urgency, interaction, and natural push-and-pull associated with classic tape…
  3. Why Exporting Audio at the Wrong Sample Rate Ruins Your PodcastA podcast can sound polished during editing and still become distracting after export. Voices may play too quickly, too slowly, or at the wrong pitch. In other…
  4. Managing Sibilance In Narration Without A De-EsserSibilance is the burst of high-frequency energy created by consonants such as “s,” “sh,” “z,” “ch,” and sometimes “t.” In narration, these sounds can become…
  5. The step-by-step process of editing a raw vocal takeA strong vocal edit begins before any plugin is opened. The goal is to preserve the character, emotion, and intention of the performance while removing…
  6. How To Record Piano In A Live Room For Natural AmbienceA piano can sound impressively open in a live room, yet capturing that openness requires more than placing a pair of microphones near the instrument. The room,…
  7. What to look for in a mastering engineer’s portfolioA mastering engineer’s portfolio is more than a collection of polished tracks. It is evidence of judgment, technical control, stylistic range, and the ability…
  8. How To Use A Click Track Without Making Your Band Sound RoboticA click track is one of the most useful tools in modern music production. It keeps a performance aligned, makes editing more practical, and gives overdubs a…
  9. How to Record a Radio Voice-Over Without a Sound BoothA radio advertisement needs a voice that sounds close, controlled, and easy to understand. That does not necessarily require a commercial sound booth. With a…
  10. Why a Session Log Can Save Hours of Frustration in the StudioA recording session often feels productive while it is happening. Microphones are positioned, takes are captured, plugins are adjusted, and everyone in the…
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Featured Artists
30+
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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