Articles

  1. Headroom in Mixing and Why It Matters for Your TrackWalk into any home studio in Brunswick or Newtown and you will see the same familiar setup: a laptop, a pair of nearfields, an audio interface, and a screen…
  2. How to Choose the Right Voice-Over TempoTempo is one of the quiet forces that shapes a voice-over. It affects how easily an audience understands the script, how much personality comes through, and…
  3. Parallel compression for punchy, controlled drumsDrums need contrast to feel powerful. The kick should move air, the snare should cut through guitars and vocals, and the cymbals should retain enough openness…
  4. Recording a Live Podcast Audience with Confidence and ClarityThe hum of a packed room can transform a podcast from a tidy, intimate conversation into something that feels alive, unpredictable, and theatrical. Across…
  5. Building a session template that speeds up your studio workflowA solid session template is the difference between walking into the studio ready to capture something and spending the first hour hunting through menus,…
  6. Recording strings that cut through in a pop mixOver the past decade, the line between classical instrumentation and modern production has all but dissolved. Cello and violin lines now sit beside programmed…
  7. What a Limiter Does on Your Master Bus and How to Use It WellA limiter is one of the final processors in a mastering chain, sitting at the end of the signal path to keep peaks under control while raising the perceived…
  8. Matching Levels Between Verses and Choruses in a MixIn any well-crafted song, the chorus needs to hit harder than the verse. That sense of arrival, of emotional lift, is what keeps listeners engaged from the…
  9. Best Practices For Recording Spoken Word PoetrySpoken word poetry sits between performance, music and intimate storytelling. A successful recording preserves the poet’s natural voice while giving each…
  10. How to Capture a Natural Stereo Image With Room MicsWhen bands set up to record drums, most of the attention goes to close microphones on the kick, snare, and toms. The room microphones, however, are where the…
20
Simultaneous Channels
15+
Microphones
5
Featured Artists
30+
Years PC Experience
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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Located in Elgin, Illinois. Reach out to discuss your next project.

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