Articles

  1. How to fix a muddy mix with simple EQ adjustmentsA muddy mix can make a strong recording sound small, distant and confusing. Kick drums lose definition, bass notes blur together, guitars occupy too much…
  2. Cleaner recordings start with better gain stagingA clean recording begins before anyone presses the record button. Gain staging is the process of managing signal level through every part of an audio path,…
  3. Finding the best microphone for your voiceChoosing a microphone for your voice type is less about finding the most expensive model and more about matching its tonal character to your natural sound. A…
  4. A Practical Session Kit For Recording In AustraliaA smooth recording day usually begins before anyone enters the studio. The right instruments, cables, reference tracks, notes and personal essentials allow…
  5. How to prepare your vocal cords for a long studio sessionA long recording session asks for precision as well as stamina. You may sing the same chorus repeatedly, switch between lead and harmony parts, or spend hours…
  6. Why Patchbay Design Shapes Studio Signal Flow and ToneA recording studio’s patchbay can look like a wall of small sockets and short cables, yet it determines how microphones, preamps, compressors, instruments,…
  7. Recording lap steel for ambient texturesLap steel guitar can fill a mix with long, floating tones that feel closer to a bowed instrument, a distant vocal, or a slowly shifting synthesiser than a…
  8. Recording reactive voice-over performances for video gamesA reactive video game performance must feel alive before the player has even decided what to do next. A character may whisper while hiding, bark an order…
  9. Mid-Side Recording: How It Works and When to Use ItMid-side recording is a stereo microphone technique that captures a focused centre image alongside the sound spread across the left and right sides. It is…
  10. How to Record a Singer-Songwriter in One Take With Guitar and VoiceA live guitar-and-vocal performance can capture something that separate overdubs often miss: the small changes in timing, breath, touch and emotional intensity…
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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