Articles

  1. How to align multiple takes into a comp that flows naturallyA strong comp track should sound like one confident performance, not a patchwork assembled from several passes. The listener may never know how many takes were…
  2. The Best Way to Record a Singer Who Moves a Lot on StageA singer who moves constantly can deliver an exciting, believable performance, but that energy creates a technical problem in the studio. The distance between…
  3. How to automate a smooth podcast intro fade-inA fade-in can make a podcast opening feel deliberate rather than abrupt. Instead of beginning with music at full volume, the intro rises gradually from…
  4. Buffer Size, Monitoring, And Latency In RecordingWhen a performer hears their voice or instrument slightly after making the sound, the problem is usually called monitoring latency. It can feel like an echo, a…
  5. How to record hand percussion for an organic live feelHand percussion can make a track breathe. A shaker can push a chorus forward, a conga can give a bass line human movement, and a tambourine can add excitement…
  6. The Three Compression Types Voice-Over Artists Should KnowA clear voice-over recording is shaped by much more than microphone choice. Performance, microphone technique, room acoustics, editing and dynamics processing…
  7. How to Prepare a Multitrack Session for a Remote Mix EngineerA remote mixing engineer can do excellent work from another city, state or country, but the quality of the result depends heavily on the session they receive.…
  8. Recording distorted guitar at low volume in a home studioA great distorted guitar sound does not require an amplifier turned up to painful levels. In a home studio, the real challenge is finding a balance between…
  9. The Mix Bus and Your Final Stereo SoundA mix bus is the signal path where multiple tracks come together before they leave the session as a stereo file. In a typical music project, individual vocals,…
  10. How To Choose The Right EQ Curve For A Podcast Host’s VoiceEqualization is one of the most powerful tools in podcast production, yet it is often treated like a preset menu. A host may be told to add warmth, remove…
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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