Articles

  1. Mastering podcasts for consistent loudness in AustraliaMastering a podcast episode for consistent loudness is not a contest to make the waveform appear biggest. It is a controlled balance of dialogue clarity,…
  2. Warm your voice for a stronger recording sessionA productive vocal warm-up should make singing or speaking feel easier, not merely loosen the throat. The best ways to warm up your voice before a recording…
  3. How to use sidechain compression in a mix for clarityModern music production often resembles a crowded marketplace. Every track competes for attention, with layered drums, sub frequencies, melodic elements, and…
  4. Recording a String Quartet: Microphone Placement and Studio TechniquesA string quartet sits at the heart of the chamber music repertoire: four musicians in conversation across two violins, a viola, and a cello. Capturing that…
  5. Building a Headphone Mix When a Musician Wants More ClickMany performers arrive at a session with one very specific complaint: they cannot hear the click clearly enough. Whether they are tracking drums in a Brunswick…
  6. When a DI Box Becomes the Quiet Hero of Your Recording SessionSometimes the smallest piece of gear in a studio rack makes the loudest difference. A DI box sits humbly between an instrument and the mixing console, doing…
  7. How to edit vocal breaths without making the performance sound unnaturalBreathing is part of a human vocal performance. It gives listeners clues about phrasing, emotion, effort and distance from the microphone. Removing every…
  8. Recording saxophone clearly in a treated roomA saxophone can sound warm, intimate and powerful in a recording, yet it can also become harsh, boxy or unnaturally dry when the microphone and room are poorly…
  9. Creating Depth And Space With Reverb In Any MixReverb gives recorded sound a believable environment. It can suggest a small timber room, a polished concert hall, a narrow vocal booth, or an enormous…
  10. Recording a children’s choir with clarity and confidenceThe best practices for recording a children's choir begin well before anyone steps up to a microphone. Young singers need a comfortable environment, clear…
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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