Articles

  1. Recording documentary voice-over with emotional pacingA documentary voice-over has to carry information, atmosphere and human meaning at the same time. The narrator may be describing a drought in regional New…
  2. Noise floor explained for clean professional audioEvery recording contains a certain amount of unwanted sound. Some of it comes from the room, such as air conditioning, traffic or computer fans. Some is…
  3. How to record bass guitar for a tight rhythm sectionA great bass track gives the drummer a reliable partner, supports the harmony, and helps every other instrument sit in the mix. Recording a bass guitar for a…
  4. How to avoid phase cancellation with two microphonesUsing two microphones on one source can add depth, width and control to a recording. A close microphone can provide definition while a room, overhead or…
  5. Why Higher Sample Rates Matter for Film ScoresA film score has to survive an unusually demanding journey. It may begin as a piano sketch, become a large orchestral arrangement, pass through several rounds…
  6. How to record a live podcast audience Q&A without feedbackA live podcast audience Q&A can add energy, spontaneity and a genuine sense of community to an episode. The audience reaction becomes part of the programme,…
  7. Hear the mix before the masterA mix can sound balanced through headphones and still feel harsh, hollow or strangely small on other systems. The reason is often found in the control room:…
  8. How to Write a Commercial Voice-Over Script That Sounds NaturalA commercial voice-over script has to do several jobs at once. It must communicate an offer, fit a precise running time, support the visuals and give the…
  9. What Is a Stem And How It Simplifies MasteringA stem is a grouped collection of audio tracks exported as one file, usually representing a meaningful part of a production. In a song, stems might include…
  10. How to Record a Nylon-String Guitar with Warm Low EndA nylon-string guitar can sound intimate, rounded and expressive, yet its lower register is easy to blur in a recording. The body produces rich resonance…
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Why LnL Recording

Built for Serious Sound

A studio designed around a custom PC platform — not an off-the-shelf solution — with decades of hands-on engineering experience behind every session.

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Custom DAW
A purpose-built PC workstation configured specifically for multi-track audio production, not a generic computer.
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Pro Mic Locker
AKG C414B-TLII, Shure KSM32/SL, SM57, SM81, Sennheiser e906, AKG D112, and many more — the right mic for every source.
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Instruments & Amps
Gibson Les Paul Deluxe, Ibanez 540S, Marshall JVM410, Vox AD100VT, Korg Triton Pro, Kurzweil SP88, and a full drum kit.
The Equipment

Studio Gear

A comprehensive collection of microphones, preamps, outboard processing, instruments, and monitoring — all detailed on the Studio Gear page.

Microphones
  • AKG C414B-TLII — Large-diaphragm condenser
  • Shure KSM32/SL — Studio condenser
  • Shure SM57 & SM48 — Dynamic workhorses
  • Shure SM81, AKG C1000S — Small-diaphragm condensers
  • CAD Equitek E-100 — Supercardioid condenser
  • Oktava MC012 — Multi-capsule condenser
  • Sennheiser e906, E602 — Guitar cab & kick drum
  • AKG D112, EV N/D 468, Audix Fusion 6
  • Studio Projects C1
Preamps & Processing
  • Mackie MS1642-VLZ4 mixer
  • Black Lion Audio Auteur Quad preamp
  • Black Lion Audio B173 preamp
  • Joe Meek VC1QCS channel strip
  • ART TubeMP tube preamp
  • Radial J48 active DI
  • Rocktron Intellifex effects processor
  • BBE 462 Sonic Maximizer
  • Rolls RA62HA — 6-output headphone amp
Full Gear List
Past Sessions

Client Roster

Artists and bands who have recorded at LnL Recording.

SIIN
Dead Man's Hand
Sthica
Sean Begora
The Olsen & Pahl Project
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